![]() Yet “Iron Man 2” and “Thor” were mediocre. They felt so tangible and appealing to the eyes. Think about the first Iron Man film, or, for that matter, even the first Avengers film. ![]() One explanation would be that since visual effects have come so far as to enable creators to achieve feats that were tough earlier, by means of techniques that have gotten much simpler with passing years, that the intention and attention to detail, and thus meticulousness, have diminished considerably. Whether this is due to the passage of time that eventually makes any new thing lose its glam, or due to its overuse, is a matter of debate. Moreover, an important thing to notice here is that, with time, visual effects have become oversaturated. ![]() Thereby, by saving money and opting for computer-generated effects, production houses are willing to compromise on the effect that films have on the audience. This kind of work is not seen anymore because it costs a lot. Even the ship breaking into two was practically captured on film. Steven Spielberg got life-size dinosaur animatronics built, while James Cameron literally made people swim in a tank with a huge ship broken in half. Each of the other films made use of practical effects and then used visual effects to complement them and make them more effective. We already got a taste of it in “Top Gun: Maverick,” and while the approaches of the two above-mentioned films towards visual storytelling are different, they both serve to push the boundaries of filmmaking while also arming us with the ability to look beyond the cloak of traditional visual effects to appreciate films for the right reasons.īefore the advent of practical effects as such, we got big-scale films like “Jurassic Park,” “Jaws,” and “Titanic.” The reason we are not mentioning “Star Wars” here is that it was a breakthrough in visual effects. With James Cameron’s “Avatar: The Way of Water” and Tom Cruise’s love for the big screen, we can finally relish cinema the way it was meant to be. Suspension of disbelief had been completely thrown out of the window, thanks to Marvel and DC, who have left no stone unturned to utilize visual effects to the point of saturating and sabotaging their very purpose. Setting the bar further high through their visual style, both films up the ante of visual storytelling and pull us out of the cliché bombardment of VFX that we have all been subjected to in recent years. Standing where we are today, they are lessons for filmmakers and a relief for movie-goers. Let’s be honest, it is impossible to not be impressed when you see the scenes without any effects, and then see what they turned into! Seeing there is a lot that can be created with what you already got is quite inspiring.“Avatar: The Way of Water” and the upcoming “Mission Impossible: Death Reckoning Part I” are more than just films. Here you can learn a lot from movie scenes’ before and afters, Blender recreations, and quick tips that they share. This is one of the most fun accounts about VFX on Instagram. So, here I am with a list of Instagram accounts of post-production artists that will help you keep up with new improvements, and will hopefully help you to get inspired! 1. ![]() I believe having a chance to observe closely is a huge advantage for learning. When it comes to following the newest trends, I have always found social platforms to be more efficient than reading long, informative content. There is no end to learning new things in post-production, and there will probably be so many new things that you should catch up on within the upcoming year, 2022, as well. ![]()
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